Wireless Microphone
Shure UR4D with two Beta58

Desk
FoH: Yamaha CL, Avid S6L, Midas Heritage D, Digico.
Monitor: Digico SD12 or Quantum.
Note: No gain sharing.

IEMs
6x IEMs stereo, preferably Shure PSM1000, with 8x beltpacks.

Wedges
3x pairs preferably D&B M4
Sidefills on large stages

Wired Microphones
We are not carrying any microphones. See Input List.

Miscellaneous
Two cable adapter stereo mini jack 3.5 mm (1/8″) TRS to stereo XLR male (left and right).
Please make sure we have enough XLR cables to wire the microphones.
I’d like 3 tall boom stands with short arm for backing vocals.
1 straight stand with round base and a big clip for the wireless microphone.

House Sound/System engineer, able to configure and troubleshoot the house system.
Monitor engineer, able to configure and troubleshoot the monitor system.
House Light Operator
Crew Chief
Electrician
Stagehands

Personnel to be present from Load in until the end of the Show. (who speaks english)

Mojo Crash barriers in front of stage including security personnel. Experienced persons, who know how to handle and take gently care of an audience at this type of music.
The FOH has to be protected by Mojo type barriers on ALL sides.
All cables leading from the stage to the FOH are to be protected by “yellow jacket” style cable protector bridges.

Stage has to be secure, stable and able to support Testament’s equipment and performance.
Sturdy and well lit starts ways will be required on both sides as well as equipment ramp.

We carry a backdrop. Please provide an easy lift system. Backdrop size 12m x 9m (40′ x 30′).

We need a drum risers 2.5m x 2.5m, height 90cm (8 ft x 8 ft, height 3 ft).

Couple of wedges on Stage Right and on Stage Left.

All local equipment must be off stage once load-in starts. No logos, banners, displays of sponsors, etc. are accepted on or in front of the stage.

See requirements.

Once inputs are patched and sound-checked, no input device is moved or disconnected. The multipin snakes may be disconnected from their stage boxes to patch other artists.

See requirements.

The Audio desk will be located in a clean and secure mix position on the inside of the house with crash barriers.
Please no FOH audio mix position on a riser. Mix position are at the same horizontal level as the audience.
The FOH has to be protected by Mojo type barriers on ALL sides.
Two bar stool for the FOH audio, please.

Preferred drive chain is: Left, Right, Front Fill.

The PA system needs to be at least 4 way active stereo, complete with processor / control at FOH position.
House mains shall be capable of 20 Hz to 20 KHz frequency response at SPL levels. The system must be capable of at least 115 dB (A weighted) continuous at FOH position with a maximum peak of 126 dB at FOH position.
No worries, I will adapt to local sound limits but I don’t like the sound being squashed due to no headroom in the amps/speakers.
The System processor will be available for any EQ, Timing or compression changes.
Sound pressure measurement should be located at ear height with the audience, and NOT 3 meters in the air.
L-R Line Array system with a proper frontfills are preferred.

All electrical connections have to be compliant with all local regulations.

We’re using wireless systems for the Lead Vocal Shure UR4D+. Band H4. RF Range 518-578 MHZ.
Bass Shure ULXD4 wireless. Frequency Band G50. Tuning Bandwidth 470-534 MHz.
Guitar SR Shure GLX16. Tuning Bandwidth 2400–2483.5 MHz.
Guitar SL Shure ULXD4 wireless unit. Frequency Band G51. 534-598 MHz. (2 frequencies: Main and spare)

We’re using four IEM systems Shure PSM1000 wireless unit. Tuning Range Freq: 470-542 MHz. Band G10 (470-542 MHz).

1x Shure QLXD G50 (470.125-534MHz)
1X Shure Stomp 2.4
2x Shure QLXD4D H51 (534-598MHz)
2x Shure UR4D+ H4 (518-578MHz)
4x PSM1000 G10 (470-542MHz)

If possible would like to double the amount of frequencies for spares

Please inform us if we need to buy licence to use these frequencies in your country.
Note: Shure GLX16 wireless system operates in the globally available ISM band 2400 MHz to 2483.5 MHz. The operation does not require a user license. 

If need it, email me the Wireless Frequency Application Form to fill up.

See requirements.

We have videowall files. Format .png and .jpg. Resolution 960×540 pixels and 1440×864 pixel.
Email me for password to Download Files – Click here –

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Thank you in advance for the attention and for reading this carefully! Don‘t hesitate to contact us in case there is any questions or problems!!

Regards,
Danny Giordana | Audio Tech

When not traveling
with monitor tech

Please push the sends level of the IEM from the monitor desk. Peaks red occasionaly are fine.

Stage Right Center – Steve – IEM

Good stereo mix with loud bright bass.

Drum mix with No overheads and No kick trigger. Only kick microphones.
No Guitar SR
A little Guitar SL
No backing vocals and No own vocal
A little center vox

Stage Left – Eric – Only wedges

Center Vocal
Vocal SL with delay 2
Kick Trigger
Snare

Info Delay 2
Guitar player Stage Left needs a delay with his own vocal, ONLY in the Stage Left wedges.
Tempo 497 ms with 25% feedback.

Please make sure the Intro is not too loud in the IEMs.

I just want to be sure that:
Stage Right: The right side of the stage from the musician’s point of view facing the audience.
Stage Left: The left side of the stage from the musician’s point of view facing the audience..

House must also supply:

1x Light console –

1 x House LD
House LD must be there for Load in and tie in.

2x Smoke Machines
2x Fans

Please provide an easy lift system for Backdrop, size 12m x 9m (40′ x 30′).

Exemple we previously used.